TURBO CHARGED MOVIE SKIN

The lead actors are phenomenal, with Lindon inhabiting a weary decency coursing with electric currents of insecurity and Binoche plunging deep into the skin of a woman at the mercy of her own crossed wires.

TURBO CHARGED MOVIE MOVIE

Or is Sara the hunter? Shot in a tense, pressurized style that feels closer to a horror movie than a romantic drama-all off-center close-ups, pitch-black Parisian nightscapes, and brooding mood music via Tindersticks- Both Sides of the Blade explores the double-edged nature of intimacy: the mix of comfort, desperation, and terror that comes with truly knowing or being known by another person. Ten years ago, Sara (Juliette Binoche) left her monied lover Francois for rumpled, tender ex-con Jean (Vincent Lindon) now, Francois is back, and after recruiting Jean to help run his new rugby team, he’s pursuing Sara as well. Love hurts in Claire Denis’s films, and Both Sides of the Blade is as jagged as anything she’s made in the past 15 years. There won’t be a funnier, cringier scene this year than The Silence of the Lambs bit featuring the troupe locked in a dark room with what they think are poisonous snakes slithering around.

TURBO CHARGED MOVIE SERIES

Knoxville is ably supported by a younger generation of self-destructive daredevils who seem so happy to be part of the franchise that they don’t mind being on the wrong end of everything from punches to paintballs to poisonous spiders, all of which is filmed with the same sense of deadpan slapstick that’s made up the greatest torture-porn movie series of all time. Knoxville doesn’t take too much punishment in Jackass Forever, using his elder statesman position to victory lap around past triumphs and bask in his own surprisingly elegant middle-aged gravitas, but when it’s his turn he steps the fuck up. It’s a good bet that David Cronenberg’s body-artist Saul Tenser would get along with Johnny Knoxville-they’re both willing to put their lives (and limbs) on the line for the purposes of entertainment. We’re All Going to the World’s FairĪlternate title: More Crimes of the Future. The best compliment you can pay to Mad God is to say it’s made in the image of its creator. Tippett, who once joked that the animated dinosaurs of Jurassic Park were going to make him extinct (a line that made it into the movie), has drawn-or, more truthfully, physically etched-a line in the sand on his side of the uncanny valley. The film is disorienting, disgusting, and, at times, genuinely disturbing think Tim Burton minus the cuteness, or maybe a vintage Tool video stretched (and gorily distended) to feature length.

In an era of compulsory CGI when genuinely visionary imagery is rare, this beguilingly tactile vision of an analogue apocalypse, set in a Boschian hellscape whose inhabitants and their backdrop have been literally handcrafted in miniature-slash-maximalist detail, qualifies as a heroic act. Whether or not special effects guru Phil Tippett’s stop-motion labor of love-produced over a period of 30 years and released to streaming on Shudder this summer-is actually one of the best films of 2022 is beside the point.

A few movies on this list are holdovers from last year’s international festival circuit, but there’s also an encouragingly solid percentage here of multiplex-friendly titles-movies that don’t have to be sought out, so much as met and appreciated on their own populist terms. When looking at the best movies of 2022 so far- Maverick among them-the common denominator is keen, inventive directorial choices that either reconfigure conventional material in unpredictable ways, pare stories down to their essence, or show us things we haven’t seen before (and maybe aren’t sure we want to). But while Maverick is undeniably a “star text”-a movie contoured to the myth and mystique of Tom Cruise-it’s wrong to reduce director Joseph Kosinski to a wingman: His steady hand helps the film achieve liftoff. “It’s not the plane, it’s the pilot,” says Tom Cruise in Top Gun: Maverick, a wryly self-reflexive line of dialogue reminding us that the one thing a star vehicle really needs is a star.

Turbo charged movie